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Its out-of-print status today suggests that even the Estate doesn’t consider it part of the canon. Unfortunately, it had already been done, and better, making it less a loving portrait than a grab for cash. Albert King - Born Under The Bad Sign 16. Paul Butterfield Blues Band - Ive Got A Mind To Give Up Livin 14. John Mayalls Bluesbreakers with Eric Clapton - All Your Love 13. Slightly more interesting is “Blue Window”, where he’s backed by the Buddy Miles Express for 13 minutes, horns and all.Īs many of the tracks feature Jimi playing alongside people other than the Experience or the Band of Gypsys, the album does succeed in presenting another side of him. MARTIN SCORSESE PRESENTS BLUES RED, WHITE & BLUES CD SOUNDTRACK. “Georgia Blues” is a something of a rewrite of “Stormy Monday”, featuring Lonnie Youngblood on sax and lead vocals, in an uncanny similarity to Bob Seger. That leaves exactly two songs not officially released before. Three songs are repeated from the box set of only three years earlier, including a smoking take of “Hear My Train A-Comin’” with the Experience. Martin Scorsese Presents The Blues: Jimi Hendrix should not be considered definitive in the least while it only overlaps a few song titles with that well-done 1994 set, it’s not exactly illuminating.įive of the tracks could be considered standard-the Smash Hits version of “Red House”, “Come On” and the long “Voodoo Chile” from Electric Ladyland, the execrable “My Friend” from Cry Of Love and later First Rays Of The New Rising Sun, and “Midnight Lightning”, which closes South Saturn Delta. But the estate heard cash registers, so they dove in with another set. If anything, it opened the opportunities for a flood of companion CDs covering famous and forgotten bluesmen, the likes of which hadn’t been seen since Sony rediscovered Robert Johnson in 1990.Ī well-sequenced and equally well-received compilation dedicated to the blues side of Jimi Hendrix had already been out for ten years.
Eric clapton martin scorsese presents the blues series#
A couple of years before stamping his name on documentaries about Bob Dylan and George Harrison, director Martin Scorsese tried to one-up Ken Burns with a PBS series on the blues.